Their use of fluorescence endows the figures with a sense of covert and nuanced power. “Militant Miss” (1972), by George Stowe Jr., featured a woman posed with guns, while Goode’s “Rulers II” showed a Black man and woman “and a snarling panther.” These posters, featuring the “iconography of black power,” were, Ensminger explains, “a distinct subset within the mass of black light poster production.” These images were “heroic black figures independent of any white cultural context. Other posters echoing Black political iconography and sentiments followed. The Houston Black Light Company printed posters by artist George Goode, whose illustrations included “black fantasy-warriors,” including the piece “Now! Free My Mind” (1971), which, as Ensminger writes, featured “a black man rais his unshackled fist while the background bursts with fluorescent yellow flame.” The technology was part of pop culture, but it was also a part of a larger political culture of the time. The black light poster became “closely associated with pop music and the concert culture that arose in the 1960s.” Later, one black light art company-the Houston Black Light Company-brought the experience closer to home in the early ’70s by providing everything from “astrological sex positions to repurposed folklore (‘Johnny Potseed’),” all in that glorious fluorescent glow. Auction Buy It Now 72 results for black light velvet posters Save this search Update your shipping location Shop on eBay Brand New 20. The technology was part of pop culture, but it was also a part of a larger political culture of the time.Įnsminger explains that the use of black light technology exploded in the late ’60s and ’70s, becoming a huge part of pop culture. The jungle cat leaps off the page with vivid fluorescent inks contrasted by fuzzy black velvet. According to Kane, “man-made fluorescents set a new premium on the mystique and aura already accrued to them.” And with the black light, an ultraviolet light that makes the bright, shimmering, fluorescent colors “pop and sizzle like no other colour can,” it was just a matter of time until art made use of the technology. 35 x 23' flocked velvet black light poster. Kane in the Journal of Design History: “The bizarre and unstable behaviour of fluorescence has contributed to fluorescents’ long-held associations with magic, mysticism and the transcendental, dating from the pre-Socratics through the consumer-driven present.”īut it was the manufactured variety that really shook things up. Regular price 16.95 Sale price 16.95 Regular price. Black Panther King of the Night - Black Light Poster. That would be a long time coming, however, since natural fluorescent colors, found in glow-in-the-dark materials like amber, had been dazzling people for a very long time, explains Carolyn L. Explore the best velvet black light posters for a funky 70s feel. And while they may have been great ways to show your love of Jimi Hendrix or the Doors, there was a subgenre of black light posters featuring subjects and iconography that, as David Ensminger writes in Art in Print, reflected a “resistance to the powers-that-be.” Vintage 1972 Velva Print Velvet Black Light Poster Tiger Tiger 35' x 22' AA Sale. Vintage 1984 HGG Velvet Black Light Poster Panther CIC Sales 35' x 23' Opens in a new window or tab. The 1960s and ’70s saw the rise of the black light poster. Get the best deals for black light posters vintage at. ![]() ![]() For more information contact The College of Charleston Library, Charleston, SC 29424.The icon indicates free access to the linked research on JSTOR. Internet Media Type: image/jpeg Copyright Status Statement: Digital image copyright 2010, The College of Charleston Libraries. Topical Subject: African American political activists, Black power-United States-20th century, and Posters-United States-20th century Geographic Subject: United States and Chicago (Ill.) Shelving Locator: 1999.001.095aĭate Digital: Digitization Specifications: 300 dpi Nikon D80 camera archival images in. DESCRIPTION: Vintage Black Light Poster 1971 Different Strokes For Different Folks Zodiac MATURE Date: 1971 Original or Reproduction: R. Collection Title: Walter Pantovic Artifact Collection Contributing Institution: Avery Research Center at the College of Charleston Media Type: Objects Personal or Corporate Subject: Black Panther Party "Panther" depicts an African American man holding an orange rifle. Blacklight posters remained a decorative fixture well into the 1970s, becoming almost synonymous with velvet paintings, another kitsch art form that often incorporated fluorescent paints. Description: Felt blacklight posters entitled "Pantheress" and "Panther." "Pantheress" depicts an African American woman holding a rifle and handgun, wearing a necklace containing a closed fist. ![]() Title: "Pantheress" and "Panther" blacklight posters Date: 1965 Creator (Corporate): One Stop Posters and Atlas International, Inc.
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